Creative Emmy Awards: The Mandalorian trionfa in cinque categorie

Ieri si sono tenuti i Creative Emmy Awards, e lo show The Mandalorian si è distinto con cinque vittorie nelle categorie tecniche.

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Ieri si sono tenuti i Creative Emmy Awards, e lo show The Mandalorian si è distinto con cinque vittorie nelle categorie tecniche. La serie di Disney+ ha vinto nelle categorie di effetti speciali, fotografia, sound mixing, sound editing e production design. Queste le categorie e i vincitori (in grassetto):

Outstanding Special Visual Effects

“Lost In Space”
Episode: “Ninety-Seven”

“The Mandalorian”
Episode: “Chapter 2: The Child”

“Stranger Things”
Episode: “Chapter Eight: The Battle Of Starcourt”

“Watchmen”
Episode: “See How They Fly”

“Westworld”
Episode: “Crisis Theory”

Outstanding Special Visual Effects in a Supporting Role

“Devs”
Episode 8

“The Handmaid’s Tale”
Episode: “Household”

“Tales From The Loop”
Episode: “Loop”

“Tom Clancy’s Jack Ryan”
Episode: “Strongman”

“Vikings”
Episode: “The Best Laid Plans”

Outstanding Cinematography for a Limited Series or Movie

“Defending Jacob”
Episode: “After”

“Devs”
Episode 7

“The Plot Against America”
Episode: “Part 1”

“Watchmen”
Episode: “Little Fear of Lighting”

“Watchmen”
Episode: “This Extraordinary Being”

Outstanding Cinematography for a Multi-camera Series

“Bob Hearts Abishola”
Episode: “Ice Cream For Breakfast”

“Family Reunion”
Episode: “Remember Black Elvis?”

“The Ranch”
Episode: “It Ain’t My Fault”

“Will & Grace”
Episode: “Accidentally On Porpoise”

Outstanding Cinematography for a Single-camera Series (Half-hour)

“The End Of The F***ing World”
Episode 2

“Homecoming”
Episode: “Giant”

“Insecure”
Episode: “Lowkey Happy”

“Insecure”
Episode: “Lowkey Lost”

“The Mandalorian”
Episode: “Chapter 7: The Reckoning”

Outstanding Contemporary Hairstyling

“Black-ish”
Episode: “Hair Day”

“Grace And Frankie”
Episode: “The Laughing Stock”

“The Handmaid’s Tale”
Episode: “Liars”

“The Politician”
Episode: “Pilot”

“Schitt’s Creek”
Episode: “Happy Ending”

“This Is Us”
Episode: “Strangers: Part Two”

Outstanding Period and/or Character Makeup (Non-prosthetic)

“American Horror Story: 1984”
Episode: “The Lady In White”

“Hollywood”
Episode: “Outlaws”

“The Marvelous Mrs. Maisel”
Episode: “It’s Comedy Or Cabbage”

“Pose”
Episode: “Acting Up”

“Star Trek: Picard”
Episode: “Stardust City Rag”

Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special

“American Horror Story: 1984”
Episode: “True Killers”

“Hollywood”
Episode: “Jump”

“The Mandalorian”
Episode: “Chapter 6: The Prisoner”

“Pose”
Episode: “Love’s In Need Of Love Today”

“Star Trek: Picard”
Episode: “Absolute Candor”

“Westworld”
Episode: “Crisis Theory”

Outstanding Fantasy/Sci-fi Costumes

“Carnival Row”
Episode: “Aisling”

“The Handmaid’s Tale”
Episode: “Household"

“The Mandalorian”
Episode: “Chapter 3: The Sin”

“Watchmen”
Episode: “It’s Summer And We’re Running Out Of Ice”

“Westworld”
Episode: “Parce Domine”

Outstanding Period Costumes

“The Crown”
Episode: “Cri De Coeur”

“Hollywood”
Episode: “A Hollywood Ending”

“The Marvelous Mrs. Maisel”
Episode: “It’s Comedy Or Cabbage”

“Mrs. America”
Episode: “Shirley”

“Pose”
Episode: “Acting Up”

Outstanding Multi-Camera Picture Editing for a Comedy Series

“The Conners”
Episode: “Slappy Holidays”

"One Day At A Time”
Episode: “Boundaries”

“Will & Grace”
Episode: “We Love Lucy”

“Will & Grace”
Episode: “What A Dump”

Outstanding Single-camera Picture Editing for a Drama Series

“The Mandalorian”
Episode: “Chapter 2: The Child”

“The Mandalorian”
Episode: “Chapter 4: Sanctuary”

“The Mandalorian”
Episode: “Chapter 8: Redemption”

“Ozark”
Episode: “Fire Pink”

“Ozark”
Editor: “Wartime”

“Stranger Things”
Episode: “Chapter Eight: The Battle Of Starcourt”

“Succession
Episode: “DC”

“Succession”
Episode: “This Is Not For Tears”

Outstanding Single-camera Picture Editing for a Limited Series or Movie

“El Camino: A Breaking Bad Movie”
(Netflix)

“Mrs. America”
Episode: “Phyllis”

“Watchmen”
Episode: “A God Walks In To Abar”

“Watchmen”
Episode: “It’s Summer And We’re Running Out Of Ice”

“Watchmen”
Episode: “This Extraordinary Being”

Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation

“The Mandalorian”
Episode: “Chapter 2: The Child”

“Modern Family”
Episode: “Finale Part 1”

“The Ranch”
Episode: “Fadeaway”

“Schitt’s Creek”
Episode: “Happy Ending”

“Space Force”
Episode: “Save Epsilon 6!”

Outstanding Sound Mixing for a Limited Series or Movie

“American Horror Story: 1984”
Episode: “Camp Redwood”

“Devs”
“Episode 3”

“El Camino: A Breaking Bad Movie”

“Hollywood”
Episode: “Hooray For Hollywood”

“Watchmen”
Episode: “This Extraordinary Being”

Outstanding Sound Editing for a Comedy Or Drama Series (One Hour)

“Better Call Saul”
Episode: “Bagman”

“The Boys”
Episode: “The Name Of The Game”

“The Crown”
Episode: “Aberfan”

“Star Trek: Picard”
Episode: “Et In Arcadia Ego: Part 2”

“Stranger Things”
Episode: “Chapter Eight: The Battle Of Starcourt”

“Westworld”
Episode: “Parce Domine”

Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation

“GLOW”
Episode: “The Libertines”

“The Mandalorian”
Episode: “Chapter 1: The Mandalorian”

“Silicon Valley”
Episode: “Exit Event”

“Space Force”
Episode: “The Launch”

“What We Do In The Shadows”
Episode: “The Return”

Outstanding Production Design for a Narrative Program (Half-Hour)

“GLOW”
Episode: “Up, Up, Up”

“The Mandalorian”
Episode: “Chapter 1: The Mandalorian”

“Space Force”
Episode: “The Lauch”

“What We Do In The Shadows”
Episodes: “Resurrection,” “Collaboration,” “Witches”

“Will & Grace”
Episode: “We Love Lucy”

Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)

“Big Little Lies”
Episodes: “What Have They Done?,” The Bad Mother,” I Want To Know”

“The Handmaid’s Tale”
Episode: “Household”

“Killing Eve”
Episode: “Are You From Pinner?”

“The Morning Show”
Episode: “In The Dark Night Of The Soul It’s Always 3:30 In The Morning”

“Ozark”
Episode: “Wartime”

“Succession”
Episode: This Is Not For Tears”

Fonte: Variety

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